Split Cable Wimple Knit Along – Cables

ModeKnit Yarn Cables

A cable is, essentially, a group of stitches that is divided into two smaller group.  Either the first group crosses in front of the 2nd group to create a Cable Left (aka Cable Front) or the first group crosses behind the 2nd group to create a Cable Right (aka Cable Back)

CABLE 4 LEFT
The first technique symbol on the key to the left is the Cable 4 left.  This is a cable made up of FOUR stitches.

Our cable is worked thus:

  • Slip the first 2 sts
    (either slip them onto a cable needle, or onto the right hand needle if you’re doing the cable-without-a-cable-needle technique),
  • Knit the next 2 sts,
  • Return to the slipped sts and cross them IN FRONT of the sts you just knit
  • Knit the two front crossed sts.

Cabling Without A Cable Needle Video

I know this sounds complicated, so here’s a brief video I made a few years ago explaining my favorite method for Cabling with a Cable Needle.  If you love to use a cable needle, please do so!  I don’t want to change how anyone enjoys their knitting, I just want to add some extra bits that some of you may find helpful!

Split Cable Wimple Knit Along – Lace Elements

I’ll be posting about my OWN knitting of my Split Cable Wimple, and here’s where you’ll come for tips and tricks and to ask questions in the comments.  If I can’t answer your question(s) right away, I’m positive someone will jump in and give it a good try!

First, and foremost, let’s discuss the symbols that are used in the pattern.  You don’t HAVE to use the chart, the pattern is written out for you, but when discussing the different techniques I’ll be referring to the stitch symbol to as well as the stitch technique name.

Sl st — Slip Stitch
In order to highlight a particular stitch, to draw attention to a vertical line in a pattern, often a stitch is “slipped,” or passed from the Left needle to the Right needle without forming a stitch.  This forces the Slipped Stitch to elongate itself and become twice as tall as the stitches around it, which can create a lovely stitch pattern.

We’ll work our Slip Stitches thus:

  • Work to the point where the Slip Stitch will happen.
  • Insert the needle into the next stitch purl-wise (as if you were going to purl the stitch) keeping the yarn to the wrong side of the work.
  • Slip the stitch from the Left Needle to the Right Needle.

The slipped stitch will echo the look of a Vertical Double Decrease (see below) and is often used in lace knitting to emphasize a stitch pattern without actually decreasing any stitches.

YO — Yarn Over
Sometimes called a “Yarn Forward” in the UK and Canada, a Yarn Over is the US name for a technique whereby we create an eyelet, or “hole” in the work.

In lace knitting, the eyelet is the most recognizable element, it’s what makes lace look like lace!

To form a Yarn Over, you’ll wrap the yarn around your working needle (usually the Right needle) in the same direction as you would wrap the yarn while making a knit stitch.

We’ll work our Yarn Overs thus:

  • Work to the point where the YO happens
  • DO NOT INSERT THE NEEDLE INTO THE NEXT STITCH!
  • While the needle is ‘resting’ between stitches wrap the yarn around the working needle in the same direction as if you were forming a knit stitch.
  • You’ve just formed a Yarn Over.

K2tog-R — Knit 2 tog with a Right Slant
One of the most basic decreases used in knitting will be what we call a K2tog-R.  In most Western patterns this is called, “K2tog”, but I like to add the K2tog-R at the end of the technique name to reinforce that this decrease will slant TO THE RIGHT.

A decrease will either slant to the left, to the right, or will be centered vertically.  This decrease slants to the right.

A simple way to remember what direction a decrease will slant is to note what direction the needle tips are pointing AS THEY ENTER THE STITCHES TO BE DECREASED!

We’ll work our K2tog-R thus:

  • Work to the point where the decrease will happen
  • Insert the tip of the working (Right) needle into the 2nd st from the tip of the Left needle, then continuing on, insert the tip of the working needle into the 1st stitch at the tip of the Left Needle.
  • The Left and Right needles will BOTH be inserted into the same two stitches at the tip of the Left needle, the needle tips will be pointing in the same direction.
  • Wrap the yarn around the tip of the working (Right) needle, then draw this loop through BOTH stitches (see video below) thus working these stitches together.
  • Kick the completed stitches off of the Left needle.

As shown in the video below, as the needle enters the stitches to form a RIGHT Decrease, the tip of the working needle enters the sts to be decreased pointing to the RIGHT.

I’m not going to cover the K2tog-L decrease here, which is usually called SSK or K2tog-TBL in most Western patterns.  You can watch the video to see how to form it, and WHY I call it K2tog-L, but as it’s not used in this lace motif I’ll just leave it here for now.

VDD — Vertical Double Decrease
In our Wimple we’ll be using the K2tog-R technique and a different decrease technique called a VDD to create a Centered, Vertical Decrease which leans neither left nor right.

A Vertical, or Centered, decrease will always involve an odd number of stitches; stitches to be decreased on either side of a centered stitch which will remain at the center of the decrease.

We’ll work our VDD thus:

  • Work to the point where the decrease will happen
  • Insert the tip of the working (Right) needle into the 2nd st from the tip of the Left needle, then continuing on, insert the tip of the working needle into the 1st stitch at the tip of the Left Needle.
  • Slip these stitches off together. DO NOT KNIT THEM, simply slip them off of the Left Needle onto the Right (working) needle.
    The stitches MUST be slipped together, do not slip them one by one.
  • Knit the next stitch on the Left needle
  • Pass the 2 stitches you’ve just slipped onto the Right needle OVER the single knit stitch you’ve just worked.
  • You can pass the stitches one at a time, or together, whichever is easiest.

You will have just formed a decrease which is vertically centered.  You should be able to see the center V clearly.  You have just decreased 2 stitches, turning a group of 3 sts into a single stitch.

In our motif, the VDD is ‘bookended’ at either side with a YO. These two Yarn Overs will take the place of the stitches that you decrease in the VDD, keeping the number of stitches in the motif constant.

More info tomorrow when we cover CABLES, another important element in our Split Cable Wimple.

I could use a Knit-Along, how about you?

I was gifted with some Qiviut yesterday, and I’ve been stroking it and loving it ever since.

I generally don’t knit up stuff for myself, JUST FOR ME, especially not in such a luxurious yarn. I try to use our own ModeKnit Yarn when I knit these days, but—c’mon—Qiviut ?  This is very special.

I’ve been told by my Med Onc, that I’ll be losing my hair.  I’m debating allowing Andy to just go ahead and shave it, it’s pretty short already, but my condition will be that ANDY will have to be my Sampson and will NOT cut their own hair.  It will make me so happy to see lovely, rich, deep auburn locks growing while my own bald pate is shining with Dex-induced fever sweats.

But I will need some kind of head covering. If nothing else, for the AC I’ll be in the rest of the Summer, and my chemo will be going FAR into the Fall and Winter and perhaps Spring of 2019.

SPLIT CABLE WIMPLE
Instead of a hat, I think I’m going to knit up a cowl and use it in various ways.  I love folding and twisting a cowl to create a sort of hat, and that will probably be the way that I utilize this beautiful Qiviut. Cowls and wimples are my go-to, I find them so useful, so this will be my Joyful Personal Knit for the coming weeks.

Would you like to knit along with me?

Buy Split Cable Wimple Pattern Now Via Paypal for $4.00

Be a NUN – or just look like one!

In all honesty, the pattern is NOT well reviewed (there’s only one 2-star review…) but it’s always been one of my favorites. There’s no accounting for taste, but I have met folks who’ve knit this up and have loved it.

It’s NOT my best selling pattern, but I love the idea of company to knit this together with me.  So if you purchase this pattern it before I start my Chemo on Monday, Aug 20, the price will be $4.00.

 

Blog Support
I’ll be happy to blog about the how my knitting is going every week or so, point out highlights and address issues that folks may be having.  It will be a nice change of pace on the blog from “Ow, I hurt.” or “Ish, I’m tired!”

If you’ve never knit lace, this may be easy enough to get you going. There IS a cable in it, and I’ll be happy to discuss my technique for cabling without a cable needle.  The lace work is simple and very repetitive, and once you get the first repeat you SHOULD be able to read your work and memorize the lace.  Or not.  I don’t like to put expectations on folks for their personal knits, I just hope this will be simple enough to be fun, and challenging enough to be interesting.

We could treat this as a casual, online class. I’ll post tutorials as I can, and you guys can share info with each other if you want.

How does that sound?

Buy Split Cable Wimple Pattern Now Via Paypal for $4.00

You can use WHATEVER fiber you want!  I’m using the aforementioned Qiviut, which is slightly heavier than a fingering weight.  I’ll be working it up on size 7US/4.5mm needles because that’s the drape I’m looking for, but with a cowl the beauty is gauge is NOT vital, so you can just aim for the lightness (or heaviness) of fabric you’re looking for and start there!

A note about lace: Do NOT fall under the misconception that because you’re knitting lace you’ll want to use HUGE needles.  I like to knit my lace on a needle that’s NOT too large for the yarn. If there’s too much space between stitches (which can happen with larger needles)

You get the pattern, you find some yarn, and let’s get going on Friday, okay?  See you then!

The Things We Swatch For Love

My favorite swatch this time around.

A Weeks Work

A Weeks Work

The last few times I’ve come up against a submission deadline* I have told myself, “NEXT time, you’re going to take time to do it right – you’re going to do what you used to do, swatch and sketch and love what you’re doing!”

I’d fallen into a bad habit of only submitting one or two things (when I submitted at all) because I’ve been so overwhelmed with work at  ModeKnit Yarn, and the teaching I’ve ramped up this year.

But there’s a deadline looming for submissions on Monday, and this time I’ve taken the better part of a week to try to get it right!

Unblocked HorrorNot that I didn’t do anything else this week (I did a buttload of skeining, a lot of dyeing, some fabric knitting and a few strategy sessions to plan the growth of our biz – slow and steady – not too fast to handle!)

But I set aside dedicated time each day for just sitting and THINKING. Designing. Playing with yarn and NOT berating myself for ripping anything out.

I’m trying not to judge myself too harshly. I’m trying to take my own advice.

Bobbles & Texture!For me, the hard part about this submission deadline is that it’s for several magazines at one go, and it seems that each one wants me to submit an individual sketch ONLY to that mag (even though they’re all under the same publication umbrella.)  It’s so hard for me to figure out which sketch would speak to which description in the different “Calls for Submission.”

I’d love to find a way to let ALL of the editors see all of my stuff, so they could decide which speaks to then.

Garter Rectangular Jacket in Fall Interweave Knits

Garter Rectangular Jacket, Fall Interweave Knit.Purl Mag

Maybe I’ll just Dropbox them and give all the editors the link?

I hate the thought that Sketch 1 might be perfect for Editor A, but I send it instead to Editor B (who doesn’t find it as appealing as I’d hope…)

At any rate, I was flattered and gratified to see one of my current designs featured in one of the submission calls! It’s a garment I really loved designing and knitting up, if you haven’t seen it yet, it’s the Garter Rectangular Jacket in the current Fall 2015 Interweave Knit.Purl magazine.

Tomorrow I head off for a weekend of crafting with some women friends, something I don’t do often (which I should do more!)  I’ve promised to ONLY work on non-business knitting or sewing all weekend.  Let’s see if I can stick to that!

*Magazines send out a call for submission, where they explain the stories they’re looking to create in the specific issue. They discuss color, silhouette, and also general ethereal qualities like mood, feeling and atmosphere. If I feel inspired by some of the images or text, I’ll work up a swatch (generally – but not always – I begin with a swatch)  If I like the swatch, I’ll try to figure out how to use it in a garment. Or sometimes I work exactly opposite, and start with a silhouette, a period garment or a color scheme.

The Architecture of Socks

Screen Shot 2014-12-05 at 1.43.35 PMWhen people ask me, “What’s your favorite thing to knit?” the immediate answer that pops into my mind has never been, “Socks, of course!”

I’ve never been a ‘sock person’ (heck, I don’t even wear socks very often!)

I’ve knit many socks, I’ve designed a sock (okay, a pair of socks…) but although they’re not my go-to project of choice, I definitely appreciate sock knitters.

I’ve long felt that most of the staying power that the popularity of knitting has experienced over the past decade is due to the army of sock knitters who keep so much excitement bubbling in the knitting world.

Screen Shot 2014-12-05 at 1.44.54 PM

Great Illustrations

In my quest to more fully appreciate the mystery of the sock, I’ve read several great sock books (Cat Bordhi, Ann Budd, Andi Smith and Charlotte Schurch have all written amazing sock books)

I would put Lara Neel’s* new book, Sock Architecture, up there with them.

What I particularly like about Lara’s book are the instructions and images. She uses clear graphics and photographs to work,  step by step, through the techniques.

For a non-sock knitter like myself, these type of illustrations are very helpful. I can visualize a technique much better when I can see a few images, I really appreciate the amount of work that went into creating these images.

Screen Shot 2014-12-05 at 1.45.45 PMThe book begins with an explanation of certain sock verbiage, why different heels and toes are named as they are, and the main differences between Eastern and Western socks. Foot shapes,  sizes, and tailoring a sock for a specific foot are discussed in depth, as are tips and tricks for creating a really good-looking, well fitting sock.

The remainder of the book is divided into Top-Down and Toe-Up sock construction, with myriad heels and toes discussed under each topic.  Patterns are provided for each of the variations discussed, and helpful charts allow the knitter to determine whether one of the standard sizes listed would work for their sock, or how they can do the math to create a custom fit.

Screen Shot 2014-12-05 at 4.30.28 PMOne of the nice things about the book is – for lack of a better description – a ‘cut-and-paste’ layout which allows the knitter to either use the designs as written, or create their own design combining elements from various patterns.

As someone with rather long toes and a low arch, I find this SO helpful. Breaking down the patterns in this way also allowed me to understand more fully the actual construction of a sock.

I can’t see myself becoming a great sock knitter, but with Sock Architecture I will feel a bit less adrift when I tackle my next sock pattern.

*in full disclosure, Lara’s a friend of mine and photographed my upcoming Bolero book for Stackpole Press.

Giveaway

Cooperative Press, the publisher of Sock Architecture, is allowing me to give away a copy of the book (as an eBook) to a lucky blog reader!

Simply leave a comment below, tell me the most challenging technique (in a sock, or in any other type of knitting) you’ve attempted and you’ll be entered to win the eBook.

I’ll be selecting one winner on Monday, Dec 8th, by the end of business day.  Good luck!

Resting & ReCharging

4630409504_a6daaf6159_oOne thing about me that drives my husband nuts (one thing?) is how I tend to see every day things as a ‘sign’ of better things to come.

Usually I’m joking, sometimes I’m not, but when we were first married in 1993 I would often say something like, “See, that’s a SIGN that everything’s going to be fine!” and he’d just roll his eyes (looking for all the world like a 15-year old ME reacting to my mom.)

It’s been six weeks today since the arrival of Shingles in my life. I’ve been in such a fog (pain induced? pain MED induced? just generalized Annie-Confusion?) that some days it feels as though I’ve had Shingles for a week, some days it feels as though I’ve had it since the day I was born.

I’m taking the past two exceptional weekends of teaching as a sign that things are looking up,  and no one can convince me otherwise!

Current Car Crochet Project

Current Car Crochet Project

This past weekend my business partner, Kathleen Pascuzzi, and I had a booth at the North Country FIber Fair where I taught four classes and had a generally wonderful time! There are SO many little  shows like this around the country, which I see as an indication of the vitality of the fiber industry, but this was one of the sweetest.

I might feel that way because I have seldom taught classes feeling SO much in pain, and receiving such a boost from my students!

When I add to that the previous weekend in the Dallas area teaching for the Dallas Hand Knitting Guild and the Hand Knitters Guild of North Central Texas, I’m overwhelmed with the amount of love I’ve been shown this month!

TEXAS

One Hardworking Texas Class

One VERY Hardworking Texas Class

I have mixed feelings about Texas. I had a job there I absolutely hated and a boss who seemed gleeful every time he could make my life a bit harder (in all fairness, he was originally from Ohio)

But it’s also the place where my brother met his soul mate, where he lived and then passed away, and it’s where my mother also lived at the end of her life and where she died.

Having a loved one die in a place will always attach a lot of strong emotions to that location.

Mostly, though, I have a very hard time with heat.

But I got very lucky; not only was the Lone Star State going through a bit of a cool snap, but the host yarn shop for my classes, The Knitting Fairy in Grand Prairie, TX, was one of the coolest shops I’ve every visited (in both senses of the word – yay!)

A Hardworking TX Class at The Knitting Fairy

A Hardworking TX Class at The Knitting Fairy

Alissa, the owner of The Knitting Fairy, was incredibly welcoming and loving to everyone who came for classes, and made me feel as though I was visiting family. I’ve seldom felt so loved, so cared for, as I did when Alissa took charge of my comfort while I was in her shop. THANK YOU ALISSA!

It’s also quite obvious how well loved she is by her customers, which is as it should be!

Little known fact: Sprinklers in TX are pro choice!

Pro choice TX Sprinkler

After two days of classes for the Hand Knitters Guild, I was kidnapped on Saturday evening by Ron & Theresa Miskin of Buffalo Wool and taken out for some AMAZING chili, some drinking and some Outlander.

Beautiful Gift From The Dallas Knit Guild!

Beautiful Gift From The Dallas Knit Guild!

We visited with Lise from Knitting Rose Yarns (review of a Knitting Rose/Buffalo Wool yarn to come later this month) at her beautiful home, and I’m afraid I broke my main rule of teaching; NEVER GO OUT THE NIGHT BEFORE A CLASS.

I was able to pull it together for my Sunday Classes (just barely) but still feel guilty for not doing all I could to be 100% for my students. It was some damned good chili, though…

I felt so loved at my two gigs, and was BLOWN AWAY when I was given a lovely gift by the Dallas Guild just before I left, one of those wonderful yarn carousels which will be INCREDIBLY USEFUL as I re-ball odd FLOW skeins.

THANK YOU, EVERYONE IN TEXAS!

SOUTH DAKOTA

ROAD TRIP to SD!

ROAD TRIP to SD!

I joked one morning at breakfast while we were at Watertown, SD that every item on the menu was shaped like a president.

I ordered the FDR oatmeal, it looked like a dime!

But that was before I realized that we were staying at a hotel with a top notch chef in the restaurant!*

Our whole impression of Watertown was affected a bit by the extensive highway work that was going on outside of our hotel

When you’re driving a SUV with a Uhaul, it’s hard to get around all those traffic cones!

Selfie with Festival in Barn

Selfie with Festival in Barn

Road construction

is a necessary evil, though, and perhaps better roads will bring more folks to what was an extraordinary little fiber show, the North Country Fiber Fair.

There weren’t a lot of vendors, but the ones there were exceptional! Excellent yarns, gifts, baskets, buttons, ceramics, LOTS of spinning fibers and tools – just a wonderful variety of great small businesses!

It was if they’d distilled a larger fiber show and brought the best to South Dakota!

My classes were in a lovely, air conditioned room (they’ve got Rhinebeck beat by a mile, there!) and my students – well – it’s hard to praise them enough.

Charted Entrelac Class Swatches, AMAZING Work!

Charted Entrelac Class Swatches, AMAZING Work!

They were a confident, easy going bunch of friendly, wonderful students who took in everything I taught (and begged for more!)

The sheer openness and transparency of the folks in my classes was refreshing – like a stiff prairie breeze!

The drive out and back was a straight, 4-hour shot. Kathleen was magnificent as our driver-in-chief and head-booth-maven.

My job was to tell her where to turn.
We had exactly 3 turns in each way.

We did surprisingly well in sales for a show that wasn’t huge, which is another reason to love the NCFF!

*Minerva‘s, in Watertown, SD, is a restaurant you should visit if you’re in the area.  I will admit that we were NOT expecting such amazing food. Our last night there we had a pork chop dish that will be on the menu for their Octoberfest celebration in, uh, October. If you’re in the area, you need to get yourself over there for a meal!

But aren't we all just ANIMALS?

But aren’t we ALL just animals?

Archer Mitts

Archer Mitts shown in Officer Grimes/Daryl Dixon and Michonne/Hershel Greene

Archer Mitts shown in Officer Grimes/Daryl Dixon and Michonne/Hershel Greene

If you get my newsletter, you received a link for the Archer Mitts last week.

If not, here’s your link now!

They’re fun mitts, and — unusually for a free pattern — this involves techniques that are a bit beyond basic.

Provisional cast on? ICord Bind Off? Short Rows? Grafting? Creating a Thumb Gusset?

These are all techniques that you can try out with this simple pattern. Note that I said SIMPLE, which is not the same thing as EASY!

IMG_0810I’ve fallen in love with mitts; they’re not just fun to knit, they’re warm and allow full movement for your fingers. These are worked up in ModeLuxe, but to be honest you can use any worsted weight yarn (although ModeLuxe IS killer soft and delicious to knit up…)

I’ve been quiet because I’ve been dyeing up HUGE amounts of yarn, it’s selling like crazy, and I have more yarn waiting for me at home to dye up when I get back.

IMG_2406Where am I? I’m in Cleveland, preparing to tape a few segments of Knitting Daily TV tomorrow, and looking forward to seeing old friends!

I’m excited, but this evening is devoted to sitting still so my nail polish can dry, and figuring new ways to suck in my chins.

And now, MORE pictures of the lovely Archer Mitts (I can see Daryl wearing these during one of these Georgia snowstorms, right?)

Downton Abbey In Process

Tomorrow I’ll announce the winner of Kristin Omdahl’s book, Knitting Outside The Swatch.

Today, though, I thought I’d share some in-process images from my recent pieces in Downton Abbey Knits.  It was a BLAST to work on that issue of Piecework – I adore historic clothing, I’m a fan of Downton Abbey, and – well – we all know that knitting is my life.

Louet Yarn for several projects

Louet Yarn for several projects

So here are some of the in-process pics that I took.  I take a lot of these as I work through designs, but I don’t often publish them. I can’t let them loose before the issue I’m working on is released, and often by the time a magazine is out I’m onto other stuff and going back and revisiting the design process is low on my priority list.

But today I’m celebrating the release of some cool stuff (more about that tomorrow…) by sharing images of past work – enjoy!

Wedding Kimono & Hat

Wedding Kimono & Hat

Wedding Kimono Closeup

Wedding Kimono Closeup

 

Oval Garden Hat

Oval Garden Hat

Cricket Sweater

Cricket Sweater

PU Sts for Cricket Sweater Armhole

Picking Up stitches for Cricket Sweater Armhole

 

 

 

 

 

 

 

 

 

 

Mourning Blouse

Mourning Blouse

Footman's Vest

Footman’s Vest

 

 

 

 

 

 

 

 

And, of course, the obligatory pic of one of my kids wearing a design!

I’m lucky to have two great fit models living in the same house!

Footman's Vest

Footman’s Vest on Max

Cricket Sweater on Max

Cricket Sweater on Max

 

 
 

 

And can I take this opportunity to remind you to tweet #CaribouKnits – you still have a few more days to add some inches to a scarf for a person fighting Breast Cancer!

FREE Twisted Float Scarf Pattern!

IMG_2277So you like using the hashtag #CaribouKnits, but you’re thinking, “Hey, what about some HAND knitting action?”

I hear you. Or I hear your internal thoughts. Yes, scary.

So here’s a free pattern for all of you!

Knit up a Twisted Float Side Knit Scarf and use up some of that worsted weight or bulky yarn you have lying around!

This scarf uses the twisted float technique that I like so much, but in this case it’s worked over 2 sts, not just one.

Closeup of the TechniqueIt’s a pretty simple technique, but the effect is very striking.

By working this technique in one direction for half the row, then working it in the opposite direction for the other half, your yarn will twist, then untwist itself, making the experience much more fun!

Knit this up, enjoy the free Twisted Float Side Knit Scarf pattern, and use it to create charity garments (or just a great gift for a friend!)

And have a cup of Caribou Coffee (or tea) while you knit – keep yourself warm, too!

Well, I SAID I was a Heretic…

I recently recorded an interview with the KnottyGirls Podcast, and we had an absolutely AMAZING time! I twirled around my backyard in my Sky Chair while we talked about many things.

Chief among them was my irritating insistence on using non-traditional knitting terms. On good days my odd thoughts are the sand in the oyster shell. On bad days, they’re just poison ivy.

In the early Summer I finished a marathon session of designing, which meant a marathon session of tech edit conversations back and forth this month.  I think I must be the average tech editors worst nightmare — a designer who uses different terminology, and has (what she thinks) is a logical reason for doing so!

It’s true, I do use some unusual terminology, but not in a stubborn or non-thoughtful way.  If a publication is set on their own style, I’m happy to back down and have their terminology laid over my design.  But I feel it’s incumbent on me to mention to editors some of my reasons for using a more logic-based approach to knitting terminology.

The first thing is to divorce tradition from useful definition. I know, I know, knitting is full of tradition, and much of it is fun and cool and quirky.  I don’t want to change every oddball thing that knitters do, but I DO feel that a few well chosen technology updates could make knitting more intuitive (and thus more joyful) for every knitter!

Some folks will cling to the terminology they’ve grown up with, and that’s fine. I’m not demanding that anyone change, but be warned that when you purchase a pattern from me, I may use terminology you’re not used to (always with an explanation of the term, and how it relates to a more traditional term if necessary).

I began using these alternative terms because in my classes I realized that different knitters will achieve techniques in different ways. Most knitters are Western, some knitters are Combination, a very small number are Eastern.

Combination Knit Stitch

Combination Knit Stitch

Terminology
Here’s what I mean when I mention the following two terms

Western Orientation Eastern/Combination Orientation
A stitch which is seated on the needle so it wants to be knit through the front loop. A stitch which is seated on the needle so it wants to be knit through the back loop.

Note: You’ll know the stitch “wants” to be knit a certain way because when the needle is inserted that way the stitch opens up big and fat and wide.

Within these basic styles are then further differentiations in how a knitter holds their yarn, their needles, and how they actually form their stitches (wrapping, picking, scooping, etc).

For the most part I find labels more divisive than helpful, although they are sometimes necessary. I prefer terminology that is universal — more democratic — and can apply to ANY knitter regardless of their chosen knitting style.

In short, I prefer to describe the outcome of a knitting technique, rather than insist that the knitter get there in a specified manner. Here are a few examples of terminology I’d love to see changed.

Traditional Term What Is Meant Alternative Term
Knit 1 Tbl (knit 1 through back loop) Twist this stitch as you knit it Tw1 or Twist 1
How To Achieve This
Basically knit so that the stitch is "unhappy" – doesn't open up fully – so that the little legs of the stitch are twisted as you enter the stitch.
If you knit Eastern or Combination knit into the front of the stitch; If you knit Western knit into the back of the stitch.

Traditional Term What Is Meant Alternative Term
K2tog (knit 2 together) Knit 2 stitches together so they slant to the RIGHT K2tog-R

How To Achieve This
Insert the needle into the 2nd stitch on the LH needle; then into the 1st stitch on the LH needle and knit these two stitches together.
If you are a Western Knitter your stitches should already be seated to receive the LH needle without twisting. If you're a Combination Knitter you'll want to re-orient the stitches so they sit on the needle in the opposite direction THEN knit the stitches together.

 k2tog_r_on_needle

Annie’s Hint:
The tip of the working needle will be pointing to the RIGHT when making this decrease!

Traditional Term What Is Meant Alternative Term
K2togTbl or Ssk or Skp (knit 2 tog through back loop OR slip slip knit OR slip knit pass over) Knit 2 stitches together so they slant to the LEFT K2tog-L

How To Achieve This
Insert the needle into the 1st stitch on the LH needle; then into the 2nd stitch on the LH needle and knit these two stitches together.
If you are a Combination Knitter your stitches should already be seated to receive the LH needle without twisting. If you are a Western knitter you will want to slip the first two stitches (either knitwise twice; or knitwise then purlwise) and then knit these two sts together as an Ssk.

k2tog_l_on_needle

 

Annie’s Hint: The tip of the working needle will be pointing to the LEFT
when making this decrease!

 

Traditional Term What Is Meant Alternative Term
Wyif Hold the yarn toward you WyRS if the Right Side of the work is facing; WyWS if the Wrong Side of the work is facing.
Wyib Hold the yarn away from you WyWS if the Right Side of the work is facing; WyRS if the Wrong Side of the work is facing.

 

How To Achieve This
In some techniques (Double Knitting) you will want to hold the yarn toward you while working on the Wrong Side of the piece. This can be confusing when the term is "With Yarn in Front"; I've had many students email me with questions about this. Using the RS/WS as the point of reference seems natural and more clear.

 

BONUS
Knitting In The Round / Knitting Garter Fabric

When Working as a Combination Knitter

When knitting in the round, or back and forth in garter, you must do one of two things:
1) Either knit through the front loop of each stitch (the tip of the working needle will point to the RIGHT as it enters the stitch) in the traditional Western Style, or
2) As you wrap each knit stitch, wrap it in the OPPOSITE DIRECTION than you normally do.  This will cause the stitch to be seated in the Combination manner in the following row/round and will set up the stitch to be entered through the back loop, in the Combination Style.

At this point I hope I haven’t confused you too much! I just want folks to THINK about their knitting logically, not be slaves to outdated or inexact terminology which makes full comprehension of complex techniques more difficult. I am the G.B. Shaw of knitspeak.

UPDATE!

After writing this piece, inspired by some questions tech editors had for me, I discovered the reason that I’ve been receiving emails from folks trying to knit my Paisley Shawl from Jane Austen Knits.

Well, the reason was that the tech ed on this project decided they didn’t like my own chart, so they rewrote it, making significant changes that make knitting up the edging of the chart practically impossible.

If you’ve tried to knit this up and have failed,

Here is the IK Jane Austen Knits chart (changed from my original)Screen Shot 2013-08-15 at 4.55.02 PM

…and here is my own chart,

annie paisley chart

 

Symbols aside (I never expect anyone to use my own symbols, these are just what I use when writing up the pattern to send in to the editor) there are some significant changes.  All of the ‘non stitch’ sections were removed – but these are NECESSARY to create the lace the way I designed it.

Also, the VDI’s were removed and some VDD’s were changed to K2togs.  I don’t know why, but there it is.

The faggoting between the green and blue sections won’t look the same, either, as in my chart they’re worked as a kind of lace/garter, but in the IK chart it’s St st, and thus not as sturdy and the holes will collapse easier.

Below are some of the terms I use for those of you who may not be familiar with them:

  • St st – Knit on RS, Purl on WS
  • Rev St st – Purl on RS, Knit on WS
  • Sl 1 wyRS – Slip 1 stitch with yarn held to Right Side of work
  • Sl 1 wyWS – Slip 1 stitch with yarn held to Wrong Side of work
  • YO – Yarn Over
  • K2tog-R – See above (aka k2tog)
  • K2tog-L – See above (aka Ssk)
  • P2tog-L – Purl 2 together so the dec slants to Left when viewed on the RS of the work (same as K2tog-R when worked on WS of work)
  • VDD = Vertical Double Decrease: Sl 2 sts as if to work k2 tog-R, k1, pass slipped sts over (decrease of 2 sts)
  • VDI – Vertical Double Increase: K into front of st, YO, k into back of same stitch.
  • Inc 1 Right: Knit into st immediately below next st on needle, then knit next st on needle, creating a right-slanting inc.
  • Inc 1 Left: Knit next st on needle, then into st immediately below that st, creating a left-slanting inc